ChordStrike

Out This Week: Good New Music You Might Have Missed

Vosotros Presents: the Years
Suggested if You Like: Amy Winehouse, Al Green, velvet smoking jackets

Nicola Conte Presents Viagem 2
Suggested if you like: Astrud Gilberto, Elis Regina, mid-century modern furniture

Chumbawamba - "Rich Pop Stars"
Suggested if you like: Belle & Sebastian, Billy Bragg, totally not joking about a new Chumbawamba single being good

Krizz Kaliko - "Misunderstood"
Suggested if you like: Gnarls Barkley, Del tha Funkee Homosapien, pop songs that might not ever be popular (but should)

Bombay Bicycle Club - "Dust on the Ground"
Suggested if You Like: Interpol, Editors, voices that can be described as both "husky" and "quavering"

Naledge (of Kidz in the Hall) - Chicago Picasso
Suggested if You Like: the Cool Kids, Black Milk, the Midwest

-- Jeff Reguilon

Big Pipes: A Concert Hall Organ Primer

Most musicians probably take for granted the fact that they can carry around their instruments to concerts and band practice. In today’s world, a small Fender amp and Stratocaster are all a musician needs to get rolling. And in yesterday’s world, as we learned in anthro-musicology news last week, something as simple as a little vulture bone and mammoth tusk made a fine instrument some 35,000 years ago.

On the opposite end of the scale – literally – fast forward several thousand millenia and consider that one particular instrument of choice is so large that it probably requires an installation plan, building permits, and perhaps an architect. Yes, I’m talking about the world’s largest instrument: the pipe organ.

While recently digesting some minutia related to Renaissance piano concerto transcriptions with my friend Pete who provided background research for this piece, he brought up an interesting point that there seems to be a recent resurgence of the pipe organ in concert halls nationwide.

That’s right, it turns out that pipe organs are not just for Sunday School anymore, even though many followers of the craft still convene in grandiose churches, as they did in Seattle last weekend to pay homage to the pipes and not necessarily the holy water.

Could this new movement bring pipe organs into the mainstream of the classical music world? Or does the fact that so many pipe organs already exist in concert halls indicate a fait accompli for pipe organs beyond the hallowed walls of churches everywhere? To help answer it all, let’s look at some of these noble beasts up close and personal based on their most notable features:

The Newborn: We start off by highlighting the pristine William J. Gillespie Organ which is the newest concert hall organ to be built and resides at the  Renée and Henry Segerstrom Concert Hall in Costa Mesa, CA. 

The Queen’s Throne: Certain to help sell tickets with its good looks and towering majesty, the organ inside Meyerson Hall in Dallas epitomizes the "new" wave in concert hall organs.

The Cubist: As one might expect, one of the most visually spectacular, and extremely controversial new pipe organs is the monster Rosales Opus 24 in the new Walt Disney Hall in Los Angeles. 

The Big Boy: One of the most recent additions, and attracting tremendous attention, is the new Dobson (2006) at the Kimmel Center in Philadelphia.

The Southern Bell: One of the smaller blowers in the ring of newly christened organs calls Music City its home in the Nashville Symphony's new concert hall. Hmm, I do love me some honky tonk mixed with a little organ music on a Friday night to kick off the weekend.

The Postmodernist: In the category of Things To Come (a couple years away), Casavant is currently building a major organ for the new Kauffman Center in Kansas City.

The Orphan:  Alice Tully Hall in NYC is still awaiting the glorious return of its pipe organ after it was removed prior to the hall's acoustical renovation.

Calling attention to the new concert hall trend, the New York Times states that, "An organless Tully means that New York has no major concert hall with a pipe organ, bucking a nationwide trend. 

The Nip & Tuck Class: (currently or recently under renovation):

Boston Symphony Hall
Severance Hall, Cleveland

Chicago Symphony Hall

The Energizer Bunnies: Two really venerable old guys, not recently rebuilt but kept in shape by virtue of excellent maintenance:

The Atlantic City Convention Hall (which also claims to be the largest in the world).

The venerable Hutchings by Steere/Skinner in Woolsey Hall at Yale.

The Storage Rack:  Speaking of Steere, we would be remiss not to mention that Springfield, MA (Pete’s hometown) has a fine concert hall with a 1902 Steere organ that has been in crates for 30 years in the basement of a municipal building. The Steere & Turner company was located in Springfield and subsequently bought out by Skinner (then the General Motors of the organ world) in the 1920's.

Long story short, it’s an active time in the pipe organ world.  And, of course, we have not even touched on pipe organs in churches, from which many glorious sounds are emanating from pipe organs everywhere. But for secularists and other organ-obsessed fans everywhere, the options for enjoying some pipe music in multiple locales are growing, and growing, and growing.

--Lucas Hilbert

Something to Help Remember Michael Jackson, Something to Help Forget

Last year, Chicago MC Rhymefest honored one of his favorite artists by enlisting the help of producer Mark Ronson and making the Michael Jackson tribute mixtape Man in the Mirror. Featuring beats cobbled together from familiar MJ tracks and actually entertaining skits wherein 'Fest and Ronson engage in hilariously fake conversations with the King of Pop, this set was solid enough to be one of my most listened-to albums of 2008. Rhymefest's relatable, witty, insightful style paired with a melange of undeniably awesome MJ sounds is a peanut butter/chocolate-level combination for me. Listening to it now serves as a reminder that, even though the world won't be graced with any new music from Michael, his contributions continue to shape the pop landscape and inspire vital work. Since it would be a legal nightmare/financial catastrophe to clear these samples, it was never released through official channels, but you can download the Man in the Mirror Mixtape for free from Rhymefest's site. Please beware, though, the language does get a little salty. Keep the kiddos earmuff'd or just throw on Off the Wall one more time if curse words aren't your thing.

If you, on the other hand, are looking for a way to escape the wall-to-wall Michael Jackson coverage, giving a listen to the new Fleet Foxes song, "Blue Spotted Tail," is a good alternative. It's more of the gentle, nature-fied sound that made the Seattle harmonizers critics' darlings and vaulted them to the top of several year-end best-of lists. To be fair, it's the same sound that made a fair number of folks saw logs, but those of us in the former camp might consider heading over to the Pitchfork news section to download an MP3 of the song ripped from a performance on the BBC.

-- Jeff Reguilon

Michael Jackson: 1958-2009

As reported by numerous sources, Michael Jackson, the “King of Pop,” has died in Los Angeles, California. He was 50 years old.

Jackson was born on August 29, 1958, in Gary, Indiana and began his musical career at age 5 as the youngest member of the Jackson 5. He released 9 regular full-length solo albums with both Motown and Epic Records from 1972-2001. According to Grammy.com, Jackson won 13 Grammy Awards during his career, and was honored with a Grammy Legend Award in 1993.

To this day, his 1982 album Thriller is the biggest-selling album of all time. It was produced by Quincy Jones and featured a duet with Paul McCartney, a guitar track with Eddie Van Halen, and spoken word material from Vincent Price. 

In the twilight of his career, a number of noteworthy and highly publicized news events shadowed Jackson in his personal life for several years.

In more recent news, Jackson was planning a 50-date concert tour starting in London in 2009.

We honor the memory of Jackson for his music and many memorable appearances over the last several decades.

 Rest in Peace, Michael.

--Lucas Hilbert

 

Seeds Frontman Sky Saxon Dies.

They say they come in threes.  This will be the big one for me.  The Seeds were my introduction to garage rock.  Their eponymous debut was a blistering piece of psychedelic fuzz rock that set the tone for many bands following them.  He will be missed.

See the Associated Press Obit.

Out This Week: Good New Music You Might Have Missed

Sa-Ra Creative Partners - Nuclear Evolution
Suggested if you like: Erykah Badu, Dwele, vacationing on Mars.

Lushlife - Cassette City
Suggested if you like: Lupe Fiasco, Little Brother, popping open a fire hydrant on a hot Saturday.

God Help the Girl
Suggested if you like: Belle & Sebastian, She & Him, meeting girls on the internet.

Amerie - "Why R U"
Suggested if you like: Jade, Jazmine Sullivan, artists who return from label purgatory.

Birds of Avalon - Uncanny Valley
Suggested if you like: the Raconteurs, Apollo Sunshine, laser light shows.

Black Rio, Vol. 2: Brazil Soul Power 1968-1981
Suggested if you like: Carlinhos Brown, James Brown, funky Brazilians

-- Jeff Reguilon

Hallowed Ground and David Lynch

As an admirer and devourer of most things related to the great David Lynch, including the soundtracks and scores from Angelo Badalamenti, I was pleased to learn that he has a new music project releasing soon: Fox Bat Strategry: A Tribute to Dave Jaurequi.

A long-time pet project of film director David Lynch (Blue Velvet, Twin Peaks, Mulholland Drive), Fox Bat Strategy features a cast of musicians who began collaborating with Lynch surrounding the filming of Twin Peaks: Fire Walk With  Me.

The same line-up of players appeared on Fire Walk With Me's two roadhouse cuts: "The Pink Room" and "Blue Frank" (as well as made cameos in the film itself). In 1994, these same musicians, with an invitation from Lynch, re-entered the studio for experimental collaboration. What emerged were these 6 tracks. For nearly fifteen years these songs have remained unreleased and unheard, slow-cooking in the ether of time, all the while retaining a uniquely modern sensibility. This release is a tribute to the album's late singer and guitarist Dave Jaurequi, who passed away suddenly in 2006.

--Lucas Hilbert

Auto-Tune the News

I've just discovered Auto-Tune the News. I now know how I'm spending my Friday night.

Auto-Tune the News

If this is what living in the future is like, I will renounce nostalgia.

--Alan Wiley

(via Line Out)

Beck Announces 'Record Club'

Beck's last album Modern Guilt fulfilled his record deal with Interscope, and because he's far from the loser he once claimed to be, he's comfortable enough to not be in a hurry to get another one. That means he can spend the intervening time hanging around with his mates -- people like Devendra Banhart, MGMT, Jamie Lidell and producer Nigel Godrich -- and record some cover versions of classic albums. Beck's new 'Record Club' is an informal gathering of musicians who will record an album in a day, his website says, "nothing rehearsed or arranged ahead of time," and at least one song will be uploaded every week. First up is "Sunday Morning," the opening track from The Velvet Underground's seminal debut album with Nico, a video of which has been uploaded to beck.com.

Record Club: Velvet Underground & Nico 'Sunday Morning' from Beck Hansen on Vimeo.

Godrich helped record this one, along with a group of lesser known collaborators, and they've even drawn a new version of the original album's sleeve to start the video. Whether these covers will ever be released for purchase is doubtful - that would require the involvement of lawyers, which seems to go against the informality of the whole plan.

There's no word yet on what other albums Beck and his pals might record, so what are your suggestions?

--Ally @ SoundUnwound

SoundUnwound's editorial team write about the latest big music news and quirky stories which catch the eye. We'll be posting a selection of these news stories on Chordstrike every week; for much, much more, visit SoundUnwound.com, the new music site from IMDb and Amazon.

Rock Opera

I've figured out why I'm transfixed by Chickenfoot.  There is no difference between this brand of hard rock and one of my true loves, Grand Opera.  Stay with me on this one.

• Both have a long established tradition of terrible lyrics.
• Both, at their best, are often unoriginal.  They recycle clichés we've heard before and fans are in awe of the ornamentation around those clichés and the way they're linked together.
• Both are best practiced by performers that are somehow larger and louder than life.
• Experiencing both (if you're into this stuff) you know what's coming next and it only makes it better.

I could go on - hair, costumes, make-up - all over the top.  Is anyone still reading?

Chickenfoot, lyrically and in many other ways, is a mess, but an exquisite one.  Hagar, at the age of 61, while he doesn't attempt an F above high C, anymore, still has mind-boggling tone, phrasing, and diction. Satriani, steps back from the July 4th pyrotechnics he's known for and becomes an ensemble player with almost no equal.  If you have the privilege to catch these guys live, you'll get to appreciate how he summarizes all that is multi-tracked on the album in his live performance.   Michael Anthony provides an omnipresent depth, pumping out classic hard rock bass lines, and Chad Smith steps away from his signature inner syncopations of RHCP, to this cast-iron back of the beat, pedal work, and sharp, precise upper register stuff.  Ensemble work doesn't get much better than this.

Other reasons I might like this album are that I can't hear any Auto-Tune, and there isn't an iPod app' that makes it any better. -- Hugo Munday

Out This Week: Good New Music You Might Have Missed

Madeline Puckette - Madworld
Suggested if you like: the Bird and the Bee, Frou Frou, the original Nintendo Entertainment System.

La Roux - "Bulletproof"
Suggested if you like: Samantha Fox, Little Boots, futuristic throwbacks.

Novalima - Coba Coba Remixed
Suggested if you like: Fila Brazillia, Bajofondo, sweating.

Kim Lenz and the Jaguars - It's All True!
Suggested if you like: Wanda Jackson, Gene Vincent, pomade.

The Legends - Over and Over
Suggested if you like: the Pains of Being Pure at Heart, Jesus and Mary Chain, making your amps angry.

Gregory Pepper and His Problems - With Trumpets Flaring
Suggested if you like: Of Montreal, Dent May and His Magnificent Ukulele, variety

-- Jeff Reguilon

Eddie Vedder and Yoga

I tend to discover music in the most unlikely of places.  While the vast majority of my discoveries these days come from surfing the 'Net, I remember discovering The Juan Maclean when I wandered into a teenybopper fashion shop (I had to ask the teenage cashier what she was playing), reggaeton duo Jowell & Randy on the streets of Puerto Rico, and awesome French cabaret/swing/jazz group Paris Combo in French class. 

The other day I had the opportunity to rediscover an artist that I thought I knew in yoga class of all places.  I'm used to practicing yoga to new age-y albums like Yoga Groove (Soulfood Music) or The Essence (Deva Premal), but I encountered something unexpected in this last class.  As class was winding down, the teacher turned up the volume on the small stereo in the corner of the room and I found myself captivated by the haunting melody and lyrics of an utterly gripping and strangely melancholic song sung by a male singer with a slightly husky voice. 

The singer sounded vaguely familiar, but I couldn't quite place him, so after class I asked the teacher who he was.  I was shocked to find out that it was Eddie Vedder.  The song turned out to be "Guaranteed" off the Into the Wild soundtrack.  I'd heard of the album, but not this particular song, and I'm frankly surprised by how long it took me to discover it.  But that, I think, is the beauty of music--there's always something new to discover.

Check out a clip of "Guaranteed" below.

--Bri Nguyen

Are Video Games Killing the Radio Star?

Check out this intriguing article in The Guardian for another view on why the record industry is facing problems. I'd recommend reading it in full (it's not too long, and if you have time also look at the linked-to article where Ben Goldacre scrutinizes some industry statistics), but in summary, the writer Charles Arthur suggests that it's the booming video games industry, not MP3 filesharing, that's the main cause of the record industry shrinking between 10-15% every year for the last four or five years. Arthur's argument is that levels of disposable income are pretty stable, but people are spending over three times more now on video games than they were a decade ago. So, something's got to give. He's drawn this graph with British figures:

When people are deciding how to spend limited amounts of money, it's no surprise that they spend it where they can't otherwise get free or cheap adequate replacements. The internet is full of free music -- legal and illegal -- and there's also lots of low-quality videos and films to view; but it isn't full of free Nintendo Wii games. And while games have got more innovative and more involving, and television and DVD technology has improved so that home movie viewing is better than ever, the major music technology innovation of recent years - the MP3 and the portable MP3 player - is a downgrade in quality which favors convenience over engagement. Put like that, it's no surprise that the big money is heading towards video games, DVDs are doing very well, and it's the CD market that's losing out.

So what's the best way to analyze such an important issue? With personal, anecdotal evidence, of course! As a male between the ages of 15-30, I'm in a key demographic for both music and gaming, and I can confirm that my games purchases have dwindled to zero while my CD and vinyl buying has grown to addiction-level heights. But if I was still into gaming, I wouldn't have the money to buy all the music I do - and if I bought three games a month (as said, the games industry has apparently tripled in size in the last decade), there's no way I could afford to buy music. 

Of course, people who pirate lots of music and never pay anything back are still stealing. Access to music isn't a right, it's a privilege, because musicians put a lot of time and money into doing what they do, and they need to be remunerated. But what this article suggests is that it's not a simple case of every illegal download equaling a lost CD sale; it's that music suffers from being the most easily available form of entertainment, generally, in a very competitive marketplace. It also perhaps offers hope that when the games industry stops growing and hits a glass ceiling, the record industry might also hit a glass floor, from where it can reassess and seek to grow again.

So, it might not be CDs and legal MP3s versus illegal MP3s, but CDs and MP3s versus games. Do you agree? How have your gaming habits affected the music you buy (or don't buy)?

4 Music-Related Things That Make Me Happy

Normally, I’m all about single-subject posts, but sometimes life calls for a little randomness.  Or maybe I’m just a random person.  Anyway, while I was on my way to work this morning, I thought of four music-related things that make me happy…and I thought I’d share them in descending order. (Yes, this is a somewhat arbitrary list.)

4.  Songs Around The World by Playing for Change

I absolutely believe in the power of music to transcend boundaries and bring people together.  And I love the fact that there are people out there in the world making this happen.  Playing for Change is, according to its official website, "a multimedia movement created to inspire, connect, and bring peace to the world through music.” Check out Playing for Change's "War/No More Trouble" music vid below and the Songs Around the World CD/DVD here. 

_{(Click here to watch the video if you can't see it above)}

3.  Rent Soundtrack (1996 Original Broadway Cast Recording)

Love it.  Love Rent.  I know all the words.  I still can’t get enough, even after 13 years (has it really been that long?)

2.  Hallelujah Chicken Run Band

A colleague put a re-release of this (sadly now defunct) band’s 1970s album Take One on my desk a couple weeks ago (thanks Hugo!)   I have lots of music on my desk, but I couldn’t help but be intrigued by the band’s name, so this album quickly climbed to the top of my “listen” list. 

It turns out that this band was formed in the early 70s in present-day Zimbabwe (then called Rhodesia.)  Originally intended as musical entertainment for mineworkers, the band’s reputation quickly grew on the strength of their interpretation of “traditional Zim style” music.  Rich and vibrant, this album gets me groovin’ like nothing else.  The band’s name came from the fact that two of the original members had day work at the local chicken run…and so the Hallelujah Chicken Run Band was born.

1. Christopher Walken in Fatboy Slim’s “Weapon of Choice” Video

No, this is not a new video.  In fact, it’s several years old.  But the video, which features actor Christopher Walken dancing around an empty hotel, absolutely makes the song for me.  Not only do I like watching Walken dance, I can also relate to the character he’s playing—a staid, tired-looking, lonely businessman whose inner performer breaks out unexpectedly when he hears the music.  Don’t we all have an inner performer inside?

 _{(Click here to watch the video on Dailymotion if you can't see it above)}

--Bri Nguyen

Jay-Z Strikes a Chord

Jay-Z's premiered a new track, D.O.A., and like any battle cry would hope to do, it's provoked a lot of support. The title stands for Death Of Auto-Tune, because Jay's decided it's time for rappers to stop using studio effects to modify their voices to robotic extremes. He told Chicago radio station WGCI: "I just think in hip-hop, when a trend becomes a gimmick, it’s time to move on... I saw a Wendy’s commercial and they’re using Auto-Tune. They’re joking on it. It’s like, OK, enough of that." It means some of Jay's friends, like Kanye West and Lil Wayne, will have to come up with new ideas if they're to escape the wrath of Jay and his supporters. That includes the newly formed PAAT - People Against Auto-Tune - who have felt sufficiently empowered by Jay's words to start a blog about "Why auto-tune must die." So far among their reasons, which are best described as "imaginative," are "it will create 600,000 jobs" and "we can't let the robots take control." But their first reason, because "Jay-Z told us so," is surely going to be the most persuasive.

--Ally @ SoundUnwound

SoundUnwound's editorial team write about the latest big music news and quirky stories which catch the eye. We'll be posting a selection of these news stories on Chordstrike every week; for much, much more, visit SoundUnwound.com, the new music site from IMDb and Amazon.

Oates' 'Stache Explained!

 

As a wee child, I was a massive Hall & Oates fan. Oates always struck me as the mysterious one--the stealthy, lick-spewing, sidekick to good-guy front-man Daryl Hall. Only years later, after spending a few hours staring at various photos of it, did the profundity of Oates' mustache dawn on me. Apparently, the 'stache holds profound meaning for Oates as well. As he explains in the foreword to the new book, Sweet 'Stache: 50 Badass Mustaches and the Faces Who Sport Them, "that dark swath of hair became my living logo." Throughout the foreword, Oates' sense of humor, as well as his strange, dramatic descriptive talents, are revealed: "As I begat the ’stache, the mustache became me, symbolically thrusting forward from its prominence in the center of my countenance." (Um, brilliant?) Head over to Pop Candy for an exclusive peek at the full foreword in which Oates explains the origins, significance, and demise of one of Rock & Roll's most startling 'staches.

And here's one for those of you itching to see the 'stache in action (check out Oates' signature stealthy moves at the 1:00 and 1:45 marks):

Levon Helm's "King Fish"

For a limited time, we've got a behind-the-scenes video of Levon Helm (drummer and vocalist of The Band) performing "King Fish" from his new album Electric Dirt. Check it out:

Kiss Kidney Stone Anyone?

Kiss is famous for being an unstoppable merchandising machine, willing to put its name to anything in the hope of selling some entirely unrelated product-or-other. But if you previously struggled to see the appeal in Kiss shampoo, coffee, cigarette lighters or wine, Gene Simmons says he’s sold another unique Kiss product recently – a kidney stone. Although the claim has yet to be corroborated, Kiss bassist Simmons told The Today Show host Kathie Lee Gifford: “I passed a kidney stone and I put it on eBay for charity. I got fifteen grand.”

The name of the lucky charity – and the yucky buyer – have yet to be revealed, but Simmons will be disappointed to know that this latest stunt is not original. In 2006 William Shatner sold a kidney stone to GoldenPalace.com for $25,000 and gave the money to a housing charity. The Shatner stone now resides in a collection of weird and wonderful ephemera and the money was contributed to a new house for the needy. First or not, Simmons’ great personal effort will not be wasted as it contributes to a growing wave of publicity surrounding the release of the first Kiss album in eleven years. In the meantime, the band is currently undertaking the Kiss Alive 35 tour in celebration of its 35th anniversary, where a stone-less Simmons will no doubt be feeling much more perky.

--Hazel @ SoundUnwound

SoundUnwound's editorial team write about the latest big music news and quirky stories which catch the eye. We'll be posting a selection of these news stories on Chordstrike every week; for much, much more, visit SoundUnwound.com, the new music site from IMDb and Amazon.

Concert Review: The Crystal Method in Seattle

 

I used to live in France, and I never thought it would be possible to approximate my European rave experience here in the U.S.  I love trance and electronica, but lately I’ve felt like the oldest person at the party when I'm rocking out with people ten years younger than me.  Not that there's anything wrong with this.  It's just that I feel somewhat out of place.  When I lived in Europe, it seemed like electronic music enthusiasts skewed a bit older and I felt like I fit in more. 

But my sense of disconnect might not have anything to do with age at all.  Maybe it’s more the fact that the electronic music scene has always been more about the scene than the music itself.   Either way, I seem to have more fun nowadays listening to electronic music in the car than I do at a live show. 

So it was with some trepidation that I headed down to the WaMu Theater in downtown Seattle last Saturday to see The Crystal Method play along with DJ Kaskade and The Prodigy.  I’ve been a Crystal Method fan for some time now, and I think their new album, Divided By Night, is fantastic.  Bright and stylistically varied, every track pulsates with a hypnotic sort of energy that reaches out and pulls me right into the heart of the music.  And every track has that special something that makes Crystal Method music distinct, even amid all the (admittedly awesome) guest artists, like Matisyahu, Meiko and LMFAO.  Rarely has an album, let alone an electronic music album, left me so entranced (pun intended!) on my very first listen. 

Despite my love for the album, I didn't really know what to expect when I arrived at the show.  I’d never seen The Crystal Method live, and I wasn’t sure how their music would translate from album to stage.  The fact that I got to interview Crystal Method members Ken Jordan and Scott Kirkland before the show helped allay my apprehensions.  I sat down with Jordan and Kirkland in their dressing room and discovered that aside from being just about the nicest guys in the world—laid back, interesting, and fun conversationalists—they're also intensely dedicated to both their music and to musical innovation. 

This dedication was evident from the moment they took the stage.  After Kaskade laid down a solid set, the lasers dimmed, a hush rippled through the crowd, and Jordan and Kirkland materialized, bathed in the cool blue of the stage lights.  They kicked off their set with my current favorite single of the moment, “Drown in the Now” featuring Matisyahu, and kept everyone dancing for well over an hour.  Deftly sliding between laptops, synthesizers, and keyboards, Jordan and Kirkland somehow seemed to translate both their energy and passion to the crowd, keeping us on our feet with shifting rhythms and rolling waves of energy—lulling us into an almost hypnotic calm, then slowly building back up again. 

Halfway through the set I looked around at all the intently dancing people and realized how much I was enjoying myself.  There was a unique quality permeating the arena—a sense of ebullience—that you rarely find at a live electronic music show.  This was what I’d been looking for—this elusive sense of feeling alive, in the moment, thinking only of the rhythm and the music and nothing else.  I don't know quite how Jordan and Kirkland were able to produce this effect—maybe it's the fact that they're masters of their craft, or maybe it's their obvious passion for their work—but it made the quality of their music inherently joyful, and my experience at the show even more so.

I’ll be posting my interview with Jordan and Kirkland soon, so stay tuned.  In the meantime, check out our Divided By Night Listening Party and the surrealistic music video for “Drown in the Now” below.

--Bri Nguyen

The Ben Harper & Relentless7 Sweepstakes

It's been a busy week for sweepstakes, but I almost forgot to mention the Ben Harper one. You've got just over 24 hours left to enter our Ben Harper & Relentless7 Sweepstakes. One winner will receive a trip for two to the Ben Harper & Relentless7 show in Denver, to be held at the Mile High Music Festival in on July 18. The trip includes round-trip coach airfare from a major airport near the winner’s residence; transportation to and from the airport and hotel; two nights accommodations; and two concert tickets. Enter to win by June 5.

     --Jason Kirk